A series of ‘welcome mat’ handmade rugs depicting common wild plants, particularly those often viewed in conflicted ways by humans. Considering the fraught relationships with these particular species, whether they are indeed welcome, and the ways in which common terms such as ‘invasive’, ‘weed’, etc., are often descriptors used for the unwelcome.
This Project is supported by the Ontario Arts Council
A Breathing Room, 2015-2017
A Breathing Room is a living installation, housing the correct number of plants (Approx 300) necessary for one person to breathe symbiotically with plant life. The architectural component of A Breathing Room was designed in collaboration with Calgary-based architect Matt Knapik in 2015.
This research was supported by the Social Sciences and Humanities Research Council of Canada
Recently I have been revisiting classic novels that feature ‘man-vs-nature’ conflict narratives, editing them to feature female protagonists. To date this project includes The Old Man and the Sea (The Old Woman and the Sea), and The Call of the Wild, with two more in progress. The Call of the Wild Was printed and sent out to 25 participants for review, to gather responses to the project and the new story. With funding from TAC, I am now working with designer Tetyana Herych (of Furrrawn Press) on the series, starting with The Old Woman and the Sea which has just been printed.
Rewriting the Wild is a project in which a series of novels featuring ‘man-vs-nature’ conflict narratives are edited to have female protagonists. This artistic experiment is concerned with generating discussion and debate; will this slight but important shift change the story’s human-nature narrative in interesting ways? Will it generate new themes, metaphors, and meanings?
Overall this experiment attempts to invent a genre missing from the cannon of classic literature. While contemporary feminist perspectives create a possible space for changing ideas about human-non-human relationships today, these new readings of classic fictions ask whether different kinds of historical relationships to nature might emerge via the female voice.
This work is itself a form of fiction that imagines what if these perspectives and voices had always been heard; What possible worlds could we live in now?
This project is funded in part by the Toronto Arts Council Visual Arts Program.
The cyanotype prints that comprise Movement Compositions are presented as four different maps, each a specific collection of ten figures of plant movement from The 1886 book The Power of Movement in Plants by Charles Darwin. The figures are recontextualized within a community of plants as one might imagine them together in a garden or in the wild:
Movement Composition for Ten Flowers; Movement Composition for a Vegetable Garden; Movement Composition for a Forest; and Movement Composition for Ten Cabbages.
Movement Composition for Ten Flowers
Movement Composition for a Vegetable Garden
Movement Composition for a Forest
Movement Composition for Ten Cabbages
Suite of movements, is a short animation of ten selected figures of plant movement from The Power of Movement in Plants by Charles Darwin (sunflower, strawberry, fave bean cabbage, corn oak, raspberry, cabbage, clover, asparagus) digital animation, 2017
Full Animation is 5min. 51sec clip: